Dear
Readers,
It's time for me to recycle my “St. Patrick Was Italian”
column as March 17th approaches:
The
first St. Patrick's Day in the U.S. was held in Boston in 1734.
By stretching things a bit, you can correctly state that “St.
Patrick was Italian.”
Patrick's parents were Romans.
The
Romans ruled England at that time. Calpurnius, Patrick's father, was
a high Roman diplomat living in England, but a Roman citizen.
Patrick was born in England around the year 385 A.D. Roman cities in
England had shops and beautiful houses, so Patrick lived the good life
for a while.
Across
the sea in Ireland (Eire), things were not so good. Tribal kings were
constantly, feuding, and in the year 400 A.D., a tribal king (Niall)
attacked England.
He
took thousands of prisoners, including Patrick, for slaves. Soon the
rich little Roman kid was forced to herd pigs and sheep, just a poor
little slave boy far from home.
Patrick
was taken to Northern Ireland and sold to another tribal king named
Meliucc. Meliucc and his family were kind to Patrick, and their children
were good company. Still, Patrick (Maewyn) was alone in a strange land,
only 15 years old.
He did not know the language; he didn't know if his family was still
alive. Patrick slept in a mud hut and was a swineherd.
At
the age of 21, after six years as a slave, he ran away. Walking many
miles to the sea, he found a ship that took him back to England. By
now, the Romans had been chased out; they were no longer the rulers,
and the country was in ruins. Patrick sailed across the channel and
wandered through Europe, and then on to Rome, and found that by the
year 410 A.D., the center of all Roman power had been conquered as well.
His
past was really dead, so he decided to go back to England to think,
pray and live very quietly there. While in prayer, he felt certain that
God was calling him back to Ireland, to bring all those tribes together
and make Ireland a Christian land.
But
first, Patrick went to France and studied religion there for ten years.
In the year 432 A.D., Pope Celestine made Patrick a Bishop and named
him "Patricius."
Now, Bishop Patricius sailed for Ireland. The Irish people were not
interested in Christianity and tried to stone him to death.
The
Bishop and his men fled and found shelter for the night in a barn near
the shore. The barn belonged to a tribal king named Dichu.
He
thought the Bishop and his men were robbers and wanted to kill them.
Patrick held out his hand and smiled, and a golden aura shone on his
face.
Dichu
put down his weapon, his fierce dog stopped growling (according to legend),
and Dichu became the first Christian in Ireland and the barn, the first
church. Patrick traveled all over Ireland. He always had a drummer with
him. When he arrived at a village, the drummer would drum, and the people
would come from their houses to listen to him (as in drumming up business).
Patrick
showed them a shamrock, like a three-leafed clover. Patrick explained
the idea of the Father, the Son and, the Holy Ghost. (If no shamrocks
are handy, use the water, ice and steam idea).
Today,
the shamrock is Ireland's national flower, and as more and more tribal
kings and their people became Christians, they came together to worship
and be united as a country.
Bishop
Patricius drummed the snakes out of Ireland and into the sea (according
to legend), and built hundreds of churches. When he died on March 17
(between 461 and 492 A.D.), the Pope declared him a saint and had him
buried on church grounds in Downpatrick, Ireland. In the U.S., St Patrick's
Day means party time. In Ireland, it means Holy Time.
...
I
suggest you find and read the book “Patrick – Patron
Saint of Ireland”, by author Tomie DePaola, to any “Bambini”
in your life.
Children's
books illustrator Tomie de Paola, whose roots are Irish-Italian, says
he first became aware of St. Patrick as a young child attending mass
with his maternal grandparents.
On
a side altar was a colorful statue of a saint holding a staff in one
hard, a shamrock in the other. At his feet, squirming and squiggling
into the plastic water, were green snakes.
Pausing
in front of the statue, his grandfather would say, "That's St.
Patrick. He’s Irish, just like us." Then, said Tomie, "I
immediately forgot that I was half Italian. Every year after that, I
celebrated St. Patrick's Day with gusto, decorating my room with shamrocks.
My brother took 'Patrick' for his confirmation name. My Italian father
celebrated too claiming Patrick was from Italy (son of a Roman Citizen).
“My
Irish mother, Flossie Downey de Paola, was after me for years to remember
the Irish patron saint with a book. (“Patrick - Patron Saint of
Ireland”). And as the Irish shout on March 17, 'Erin go braugh!'
('Ireland forever!')”.
Tomie
de Paola has authored or illustrated over 200 books. He is one of the
most popular children's book illustrators of our time, with about five
million books in print.
Many
of his books have an “Italian Connection,” such as Strega
Nona, Watch Out for Chicken Feet in Your Soup, First One Foot and Then
the Other (about elderly grandparents), Tony's Bread (panettone), Francis:
The Poor Man from Assisi, The Legend of the Befana, The Misterious Giant
of Barletta, and many more.
Tomie
DePaola was born in 1934 in Meriden, Connecticut. His father was Italian
American and his mother was of Irish descent. Antonio DePaola, his grandfather,
had come to the United States in the late 1800s' from Paola in Calabria.
A
shoemaker by trade, he eventually opened a cobbler shop in Fall River,
Massachusetts. Grandpa Antonio finally was able to bring his wife Concetta
and their four children to America in 1905.
Concetta,
who spoke no English traveled with a name tag pinned to her coat and
a basket full of pickled eggs, olive oil, salami and garlic to feed
herself and the children during the arduous month-long ocean voyage.
Three
more children were born in America. One of them was DePaola’s
father, Joseph, born in 1907, who left Fall River for Connecticut when
he was eighteen years old to become a barber.
Joseph
DePaola met his wife, Florence Downey, at a dance in her hometown of
Wallingford, Connecticut. She was educated. He had left school at age
twelve to go to work after his father’s premature death.
DePaola
is proud of his late father. “My father got involved in politics
in part because of all politicians whose hair he cut at McLarin’s
Barbershop in Meridan.” He also served as president of the United
States Barbers’ Union and during the Depression was a liaison
between the Works Progress Administration and workers looking for a
job.
...
The
Feast of Saint Joseph, foster father of Jesus and husband of
Mary is March 19th.
In
Italy it is also a day to honor Fathers. And, since many men in Italy
are named “Giuseppe” (Joseph) many name day “onomastico”
celebrations also take place.
A
carpenter by trade, San Giuseppe is the patron saint not only of fathers
and workers, but of the family, of mothers, of fatherless and orphaned
children, and of the dispossessed, homeless and hungry. St. Joseph was
a provider first and foremost. And so, his celebration revolves around
the offering of food, traditionally to the poor.
Coming
on March 19th, right in the middle of Lent, the Feast of San Giuseppe
is traditionally meatless. A variety of fish, vegetables, fruits, pastries
and breads are traditionally served on St. Joseph’s day among
them are “Pasta con Sarde”, “Sfingi di San Giuseppe”
and “pasta con Mudica” (breadcrumbs) said to represent sawdust,
since St. Joseph was a carpenter.
Each
region of Italy has their own unique food and desserts to mark the Feast.
In Abruzzi, people eat “Covezun di San Giuseppe”, a tiny
baked turnover filled with chopped walnuts and chocolate.
In
Bologna “Sfrappole” are a specialty. They are strips of
sweet noodle dough knotted, fried and sugared. In Tuscany, there are
rice cakes for St. Joseph’s Day or “Pappardelle di San Giuseppe”,
cooked noodles of ferretti (spirals) tossed in olive oil with toasted
walnuts, breadcrumbs and sugar. “Zeppole” originated in
Calabria, puffs filled with cream, a cherry and sections of glazed orange.
In
Sicily, “Pane di San Giuseppe”, rich sweet breads are centerpieces
for the feast. A symbolic dish of uncooked fava beans is set on tables
to represent the legendary famine’s only available food.