Juke
Box Amore
As a writer of nostalgia, I have a passion for things and events that
have faded into the past: things such as the grand old Wurlitzer juke
box that once held a place of honor in my Dad’s 1940’s soda
shop, and the classic chromed Seeburg jukebox that later took center
stage in the 1950’s and ‘60s.
As
the youngest child in my family, I led a charmed existence, absorbing
all the sights and sounds of my family’s musical tastes. When
Mom and Dad pressed the buttons on the colorful jukebox, it was usually
to select the big band sound backing up the "the voice" of
the 20th century, Frank Sinatra. When my older brother, Tony, selected
a tune it was usually sung by one of the romantic Italian American crooners
of the day: Dean Martin, Tony Bennett (Antonio Benedetto), Vic Damone
(Vito Farrinola), Jerry Vale (Gennaro Louis Vitaliano), Don Cornell
(Luige Varlaro), Frankie Laine (Frank Paul LoVecchio).
Pop
tunes stayed on the jukebox a long time in those days, long enough for
music fans to memorize the button keys of our favorite songs. To this
day, I can still recall B-6 Dino’s "That’s Amore"
and C-4 Sinatra’s "Strangers in the night". Other jukebox
buttons gave us the teenage singing idols of the day, which, nine times
out of 10, were young Italian American singers from South Philadelphia.
There was "Venus" by Frankie Avalon (Frank Avollone), "Wilr
Onr" by Bobby Rydell (Roberto Ridarelli), “Turn Me Loose"
by Fabian (Fabian Forte), "Mack the Knife" by Bobby Darin
(Robert Cossotto), "Big Girls Don’t Cry" by Franki Valli
and "At the Hop" by Joey Dee (Jospeh Di Nicola).
The
music scene of the 1950s brought a renaissance of Italian American singers.
These singers and their songs flirted for the teenage boys when they
didn’t have the courage to speak. At other times, these singers
made musical love to us as our fancies took flight at their tender words
and phrases.
Amid
this sea of Italian male vocalists was one lone girl singer who managed
to make her mark in the world of rock ‘n’ roll. Her real
name was Concetta Rosemarie Franconero, better known as Connie Francis.
Her million selling album "Italian Favorites" and the song
"Mama" became a mainstay in every Italian American home while
her rock ‘n’ roll hits "Stupid cupid", "Where
the boys are", "My happiness" and "Among my Souvenirs"
took the pop world by storm.
These
singers spoke to a generation and for a generation. Frank Sinatra’s
singing style remains an unequaled blend of defiant tough-guy and gentle
lyricist, a musical style that continues to appeal to every age and
generation. His W.W.II recordings, "I’ll be seeing you"
and "I'll Never Smile Again" topped the charts week after
week and spoke to the thousands of young men and women separated by
the war. Sinatra's music touched the heart of a generation in a way
no other singer ever has.
Dean
Martin's warm, romantic "Everybody loves somebody" style,
endeared him to the pop culture that loved a good time and good music.
His recording of "That's Amore" remains one of America's most
played tunes. Few of us can hear this happy song without feeling just
a little bit better afterwards.
Perry
Como, like most of his Italian American singing peers, was born to immigrant
parents. Perry Como had 148 top 40 hits during his career, among them:
"Prisoner of Love", "Wanted" and "It's impossible."
While
Dean and Frank were busy forming the "rat pack, and Perry Como
was starring on a new medium called television, another singer from
"Philly" was making his mark in the music world. Teens were
listening to a new Italian American voice on the jukebox. His name was
Mario Lanza (Alfredo Arnold Cacozza), and he is one of the few singers
who managed to bring an operatic voice to pop music.
His
song "Come Prima", and "The Most Wonderful Night of the
Year" topped the charts and opened the doors for future Italian
tenors to come.
Al Martino's musical styling earned him a place as one of America's
most popular crooners. His recording of 'Spanish eyes" is among
the world’s top 50 most requested songs. Many of us can still
remember punching those favorite keys on the jukebox to hear this song
over and over again.
The
Italian American singer has always symbolized romance, tradition and
love. And they were as unique from one another as they were numerous.
The music we listened to and the crooners who sang the songs we loved
had a great impact on the 20th century' music world. Through their songs
we recall the loves and romances of our lives.